A new renaissance is taking form, the globalisation of architecture. Archello is embracing it, by connecting people with experience in the built environment.
This open platform allows you to extend your network, learn from the stories of professionals and discover great projects, products and materials. Contribute your projects today and show the world your connection with architecture. Radisson Blu es. Prenotatevi sul sito www. Little Printer lives in your home, bringing you news, puzzles and gossip from friends. Use your smartphone to set up subscriptions and Little Printer will gather them together to create a timely, beautiful mini-newspaper.
Le scale diventano espositori delle scarpe da ginnastica. Intertwining stairs that rise and fall about the existing space like screws. The stairs la codificazione da alcool in Labinsk displays for sneakers.
Puma Tokyo House is a multipurpose space that can be used for exhibitions, events, product launches and other media events. A differenza delle normali casse, la forma stessa dello pneumatico agevola gli spostamenti e le usuali operazioni di carico e scarico. After being la codificazione da alcool in Labinsk washed the inside of the tire is filled with coaxial speakers or subwoofers of various power and quality.
Unlike normal speakers, the circular shape of the tire makes moving, loading and unloading much easier. OOO My Design lo ha trasformato in un mobile per bambini. Per adesso è solo un concept, speriamo di trovarlo presto sul mercato. Remember those retro toys that you could use to make 3D relief patterns with a tray of metal pins? The wall of red pins is an interactive shelf that makes cleaning up a fun activity for kids.
The dolls represent the offer made to the spirit world from the human world. For us it is just another great interpretation of the most famous doll in the world. La scultura viene trasformata in architettura. Molti dei lavori incorporano luce, suoni ed elementi di testo per illustrare la nozione di spazio in un modo del tutto coinvolgente. The sculpture is transformed into architecture. Many of the works incorporate light, sound and text elements to illustrate the concept of space in la codificazione da alcool in Labinsk completely immersive way.
È difficile resistere alla tentazione di la codificazione da alcool in Labinsk una rubrica di testi sulla città di New York con il best seller di Rem Koolhaas. Non sono passati molti anni da quando, per un architetto, parlare di New York equivaleva a parlare di Delirious New York.
Un testo che ha avuto una penetrazione in Italia molto tardiva, essendo stato dato alle stampe solo ventidue anni dopo la sua prima edizione, nel Aggiungere la codificazione da alcool in Labinsk descrizioni a Delirious New York sarebbe ridondante, date le tonnellate di recensioni e commenti che ha ricevuto.
In Italy, this book has had little influence, as it was published intwenty-two years after its first edition. It will only take a year to ensure that the priority of attention will move this text to second place. Breaking Ground di Libeskind rappresenta, invece, un privato commiato alla vicenda che con tanta accuratezza stiamo cercando di aggirare.
But can we really speak of crisis when speaking of a city only after it has experienced an event so traumatic, enough to make one reconsider it from scratch. An event with a name now unbearable, due to echolalia imposed by media. For that, I prefer not to name it here. The first, Viaggio al termine della città, la codificazione da alcool in Labinsk Leonardo Lippolis, proposes an unusual history of architecture.
Historical interpretation is not composed of individual la codificazione da alcool in Labinsk, but of news events, rebellions, small revolutions and the collapse of an utopia, that only now seems to be reborn. This text appears an apology in too many parts not an exaltation of their workbut the informal tone makes it enjoyable to read. La codificazione da alcool in Labinsk secondo testo, è una splendida monografia la codificazione da alcool in Labinsk uno dei progetti maggiormente rappresentativi di questa nuova fase della vita della città.
The last two books are the best proof of how the city can advance, and defer, the reconquest of its territory. As the book points out, the proposal was la codificazione da alcool in Labinsk successful, but it is clear, looking at the cards of the book, how Cedric Price anticipated the urban development of the island. La codificazione da alcool in Labinsk second book is a splendid monograph of one of the most representative projects of this new phase of city life.
Mentre cercavo di trovare le parole giuste per descrivere la mia idea di futuro venivo bombardato da notizie sul vicino crollo del nostro sistema e da quanto le persone fossero decise a salvarlo, cambiandolo, da Occupy Wall Street al più recente Movimento Siciliano dei Forconi. Oggi più che mai viviamo con difficoltà il momento storico che ci appartiene. Idee, pensieri e ricordi ritornano a galla e, sempre più frequentemente, affidati a social network depositari ormai incontrastati di memorie e prospettive future.
Queste twittemozioni sono spesso solo fenomeni di nostalgia ma anche preoccupanti momenti che annichiliscono nuovi impulsi generativi di idee. Cerchiamo maledettamente di tenerci la codificazione da alcool in Labinsk al ricordo di momenti vissuti nella speranza che questi si rimanifestino nella loro semplicità ridandoci il più puro dei sentimenti: la speranza. Ma paradossalmente pensare al passato, oggi, è come sperare nel futuro. Lo shock che colpisce le persone è aver compreso che il futuro che ci aspettavamo non si è rivelato e che possiamo per ora rifugiarci nella sicurezza del passato.
E allora che fare, lanciarsi nel vuoto o tornare indietro e aspettare che lo completino? Siamo cresciuti con il mito di Kubrick e di Spielberg e di novellisti che ci hanno insegnato a vedere il domani in diversi modi: muovendoci dal futuro verso un. Entrambe le direzioni manifestano un pensiero comune, ovvero la grande alienazione di chi vive le città e si muove tra i suoi spazi.
E se quindi il passato fosse il nuovo futuro ed oggi vivessimo nel passato? I started writing this article a few months ago as an introduction to the brief of New York CityVision Competition that is officially launched on this number. As I tried to find the right words to describe my idea of the future I was bombarded by the atrocities that have slowly degraded our system and I was surprised by how people were determined to change the state of things, from Occupy Wall Street to the latest movement of the Sicilian Pitchforks.
When I finished writing it I realized, however, that it could become something more. Then I started collecting the thoughts of some of the most interesting creatives that work on the border of architecture and art, and they have conferred it the right completeness.
Today more than ever we have difficulty living the historical moment that belongs to us. Ideas, thoughts and memories resurface and increasingly rely on social networks now undisputed custodians of future memories. These phenomena are often just twittemotions of nostalgia, but also worrying moments that annihilate new generative pulses of ideas.
But paradoxically, thinking about the past, today, is hoping in the future. The shock that la codificazione da alcool in Labinsk people is that they understand that the future we expected has not been revealed, and for now we can take refuge in the safety of the past. So what to do, jump in the air or go back and wait for the completion? And if the past was the new future and today la codificazione da alcool in Labinsk were living in the past?
Certainly, our cities will continue to progress towed by the unstoppable technological progress, but they will have to deal with disoriented inhabitants who will resize their lifestyles thus creating an anachronistic paradox where revolutionary buildings will be experienced by people in constant pursuit of lost humanity to be recovered through a new contact with the world. The past is back, and it has the shape of the future. We grew up with the myth of Kubrick and Spielberg and novelists who taught us to see the future in several ways: by moving from the future to a past to be recovered Back to the Future, The Fifth Element or from past to future in a time of agony and despair the Road, the Walking Dead.
Both directions show a common thought that is the alienation of those who live in large cities and move amongst its spaces. It is my suspicion that this leap from a compositive element based on early Twentieth Century International Style towards a sculptural understanding of architecture and space was made possible by new developments in concrete.
The hierarchy of floor, wall and ceiling was blurred by a seemingly but humble continuation of the surface from horizontal to angled to vertical orientation. Yet, in la codificazione da alcool in Labinsk architecture what remained was a chamfered corner until the s when new software technology made even more complex organic shapes become possible. What we see today is a continuation of an idea created and experienced in early childhood by a generation currently at work.
With new materials and digital technologies we can expand on the inherent potentials of these beginnings. This layer of modern architecture that represents the early memories of my generation might soon be lost, but you can never escape the re-elaboration of your own childhood. La codificazione da alcool in Labinsk fascination for the future is premised upon speculation - not a desire for equilibrium, certainty or mimesis, but risk.
Imagining the future, above all, requires design strategies that instrumentalise volatility and embrace the indeterminate nature of complexity.
Why do we spend so much time wondering about the future? Because we are anxious and we do not know how to enjoy the present. What is the future, anyway? Could the future be hidden in our past? Time, as progress, is an illusion.
Instead of time I rather speak of History. One needs to be able to learn history in order not to repeat it, and in that learning there is la codificazione da alcool in Labinsk a transformation. Creative professions as a rule demand a thorough understanding of that which has come before, most essentially in order to innovate rather than to repeat.
The past does of course provide a spring-board towards the future and as such forms an integral part of what may eventually transpire. It could be said however that the architect is primarily focused on the future, as the time required to design, plan and construct projects is geared towards a future vision. For these reasons technological innovation goes hand in hand with what we can expect from - and how we can affect — our environment in the future. We can say that the architect is above all concentrated on the future, in means of time that is necessary to schedule and accomplish the project, driven by the vision of future itself.
This lop-sided emphasis would of course eventually lead to a stalemate in creativity. Architects need to refer to a form of creativity, such as Art, which disregards such concepts as past, present and future and instead embraces the displacement of reality through the potential of imagination. The beauty of the future is that it is never here. It will always remain beyond your grasp. The future therefore provides the perfect creative playground for the architect.
To think about the future is encoded in our genes. We remember and think about the past and we imagine a better tomorrow. While the pastto-present connection helps us understand consequences, the more abstract idea of tomorrow is essential for survival. The la codificazione da alcool in Labinsk of possibilities that it provides is the driving force for la codificazione da alcool in Labinsk creativity that defines us as a species. Without it, we would regress.
In this way, tomorrow is the most important consequence of awareness.